The group did not perform between November 1978 and October 1979 during that year, Garcia, Kahn and keyboardist Merl Saunders (who performed with Garcia and Kahn from 1971 to 1975 in the Saunders/Garcia Band and Legion of Mary) briefly performed in Reconstruction, a more egalitarian jazz-funk ensemble.Īccording to Linda Kahn in a 2017 Reddit Ask Me Anything prompt, much of the band's repertoire was curated by her husband: "e did bring most of the cover material to the table. As with the Grateful Dead, Jerry Garcia regularly covered many songs by Bob Dylan with the group, including " Tangled Up in Blue," " Simple Twist of Fate," " Knockin' on Heaven's Door," " Forever Young," " Senor (Tales of Yankee Power)," " Tears of Rage," " Tough Mama" and " When I Paint My Masterpiece." Staples of the band's repertoire included Holland–Dozier–Holland's " How Sweet It Is (To Be Loved by You)" (widely perceived as the group's signature song and their most-performed song), Peter Rowan's "Midnight Moonlight," Jimmy Cliff's " The Harder They Come" and "Sitting in Limbo," the Sensational Nightingales' "My Sisters and Brothers," Hank Ballard's "Tore Up Over You," Bob McDill and Allen Reynolds' " Catfish John," John Lennon's " Dear Prudence," Jesse Stone's "Don't Let Go," Allen Toussaint's "I'll Take a Melody" and " Get Out of My Life, Woman", Little Milton's "That's What Love Will Make You Do," Chuck Berry's " Let It Rock" and " You Never Can Tell," Bruce Cockburn's "Waiting for a Miracle," Irving Berlin's "Russian Lullaby," Smokey Robinson's " The Way You Do the Things You Do" and " I Second That Emotion," Peter Tosh's "Stop That Train," Bob Marley's "Stir It Up," Robbie Robertson's " The Night They Drove Old Dixie Down," the Manhattans' " Shining Star," Van Morrison's " And It Stoned Me" and " Bright Side of the Road" and Norton Buffalo's "Ain't No Bread in the Breadbox." The band also performed Jerome Kern and Oscar Hammerstein II's " Ol' Man River" and Miles Davis' " So What" on one occasion apiece. It is what it is, and who was I to say anything? This band preceded me the whole concept of the band preceded me." I’d say, ‘You know we need some uptempo material, it’s just putting me to sleep the band is putting me to sleep.’ At first I’d say these things, and then I just decided to go with it. The relatively languorous tempos were dictated by Garcia and Kahn, much to the chagrin of longtime drummer David Kemper: "t bothered me from the very beginning. Rock versions of contemporary Americana were also prominent. However, the group eschewed the former band's avant-garde and world music influences in favor of a slower, groove-based " bar band" approach strongly oriented toward rhythm and blues (the band often featured female backing vocalists characteristic of the genre), gospel music and reggae. Like the Grateful Dead, the Jerry Garcia Band played rock music that was influenced by blues, folk, country, and jazz in an improvisatory milieu that largely served as a framework for Garcia's solos. Jerry Garcia's musical interests were famously varied, and this was reflected in the diverse music played by his band. Melvin Seals had the next longest tenure, serving as keyboardist from 1980 onward. The one constant member besides Garcia himself was bassist John Kahn, who served as Garcia's principal musical collaborator outside of the Grateful Dead after 1970. Over the years, the lineup of the Jerry Garcia Band changed many times.
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